Big Bill Broonzy recalls her beating both him and Tampa Red in a guitar contest and claims she was the best woman guitarist he had ever heard. Tracking down the ultimate woman blues guitar hero is problematic because woman blues singers seldom recorded as guitar players and woman guitar players (such as Rosetta Tharpe and Sister O.M. A full-length biography, “Woman With Guitar: Memphis Minnie’s Blues” by Paul and Beth Garon was published by DaCapo press in 1998 with a 2nd edition in 2014. Yet she remains comparatively unknown and under-studied in relation to her influence and importance to the development of blues music and guitar playing. Suzy Thompson, who plays blues fiddle and guitar is another current interpreter of Minnie’s songs. Master finger-style guitar player. Minnie worked the streets and parks with Jed Davenport’s Beale Street Jug Band, and her guitar playing was influenced by the popular jug band musician Frank Stokes, who’s guitar duets with Dan Sane are very similar to Minnie’s early style. Find album reviews, stream songs, credits and award information for BD Blues: Memphis Minnie - Memphis Minnie on AllMusic Styles were shifting toward jump blues bands and by the mid ’50s the record industry had changed irrevocably with the fabrication of rock and roll. They were playing together in a Beale street barbershop when a scout from Columbia offered to record them in New York. Courtesy Vintage Books USA. If You See My Rooster (Please Run Him Home), The First Lady of Blues (Digitally Remastered), Memphis Minnie, Vol. I’ve noted where I think she’s playing-what position and what key. Record companies are remarkably mono-thematic about marketing, and Minnie, like many other blues musicians, played jazz and swing tunes as well, although there are only hints of this in her 200 recorded sides. Memphis Minnie song lyrics collection. In the studio Minnie worked with pianist Black Bob, drummer Fred Williams and other instrumentalists, from the occasional trumpeter to lap-steel and mandolin. Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie: Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie - Joe Louis Strut / He's In The Ring (Doing That Same Old Thing) ‎ (Shellac, 10") Vocalion (2) 03046: US: 1935: Sell This Version Despite her Southern roots and popularity, she was as much a Chicago blues artist as anyone in her day. Composers: Kansas Joe McCoy - Memphis Minnie McCoy. As a child, she was called Kid Douglas and she learned how to play the guitar and banjo. Memphis Minnie - Walls. Music (like most things) was still homemade: for entertainment, people threw parties–suppers where roast shoat, custard pies and candy sticks dipped in corn whiskey got worked off dancing the “shoofly”, the “scratch” and the “shimmy-she-wobble.” Minnie started playing banjo when she was seven years old, and was influenced by the string bands which played for dancers who partied all night and hit the fields at dawn. He standardized the sound of his blues offerings, using musicians like Tampa Red, Big Bill Broonzy and Thomas Dorsey to back up different artists. It’s rural party music, with doubling of parts helping punch the sound through in a loud environment in the pre-electric age. in the ’20s when record companies first perceived a market for the style. Anywhere you hear canned music now would probably have had a live musician–well, maybe not elevators. They mixed blues with pop tunes, her favorite cover being “What Makes You Do Me Like You Do Do Do”. Lizzie Douglas (June 3, 1897 – August 6, 1973), known as Memphis Minnie, was a blues guitarist, vocalist, and songwriter whose recording career lasted for over three decades.She recorded around 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and … Joe and Minnie based themselves in Chicago throughout the early ’30s, playing clubs like the DeLisa and the Music Box, recording both together and separately. Get all the lyrics to songs by Memphis Minnie and join the Genius community of music scholars to learn the meaning behind the lyrics. https://memphisminnie.com/wp-content/uploads/2014/01/3MemphisMinnie.mp3. The original dates back to 1929, and Minnie’s first-ever recording session. Many of her hits are still standards in more than one genre, like “What’s The Matter With The Mill?”, “Chauffeur Blues” or “When The Levee Breaks”. He seems to play with a flatpick, mostly in standard tuning. Photo courtesy the Frank Driggs collection. Her recordings with Son Joe are in duet style, with piano, bass or drums added on some sessions. Download our mobile app now. Memphis Minnie originally did Soo Cow Soo, Moonshine, Can't Afford to Lose My Man, Pig Meat on the Line and other songs. Minnie’s voice is rarely heard, even today: it is the voice of an independent, childless woman, an artist who never puts up with abuse, and who managed to find pleasure while living through tough times. The best tune of that session, in which Minnie generally sounded tired and overwrought, is “Downhome Girl” which is sung with great feeling but too many notes on the wrong frets. Perhaps it was cheaper to record a country boy’s guitar than an established vaudeville professional. Listen to your favorite songs from Memphis Minnie. View Memphis Minnie song lyrics by popularity along with songs featured in, albums, videos and song meanings. Terrell) were seldom recorded playing blues. 03. Songs of Minnie's such as 'When the Levee Breaks' and 'Can I Do It for You?' Memphis Minnie Songs Download- Listen to Memphis Minnie songs MP3 free online. Why has this musician , with her enormous body of recordings, who was well-loved by the Black blues audiences of the ’30s and ’40s been comparatively ignored by later, whiter audiences? Lizzie Douglas (June 3, 1897 – August 6, 1973), known as Memphis Minnie, was a blues guitarist, vocalist, and songwriter whose recording career lasted from the 1920s to the 1950s. A musicians’ life was an escape from endless labor, looked on with both admiration and resentment by the field hands and workers in the audience. Primarily an urban, piano based music, it was perfect for the speciously prosperous “Jazz Age” atmosphere of the twenties, during which the music of Black Americans became increasingly influential to the mainstream. For guitar players, the first part of her career is definitely the most inspiring, as her inventive variations make masterpieces of tunes like “When The Levee Breaks”(1930) or “Let’s Go To Town”(1931). She grew up in Walls Mississippi, about 20 miles from Memphis on Route 61, in a time before rural electrification and national media created a mass culture. One of Memphis Minnie’s first musical partnerships was with Willie Brown, who is is better known for his association with Charlie Patton. Minnie’s arrival in Chicago precipitated a showdown with the reigning King, Big Bill Broonzy.1. Memphis Minnie (Image credit: Getty). In terms of her influence on the development of blues, she was an important player in the Chicago clubs during the ’40s when musicians like Muddy Waters, Jimmy Rodgers and Johnny Shines, were coming up. Associating with circus and vaudeville performers must have been a step up for a street musician, and probably helped Minnie make her music more of an act.   Columbia was responsible for bestowing their geographical monikers: Memphis Minnie and Kansas Joe. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. The poet Langston Hughes was overwhelmed by Minnie’s “rolling mill” sounds. In the same session Son Joe sang “Black Rat Swing”, and sounded so much like Minnie he must have borrowed her chewing tobacco. These sides were never issued by Regal but can now be heard on the Biograph CD Memphis Minnie: Early Rhythm and Blues 1949. Tough enough to endure in a hard business, she earned the respect of her peers with her solid musicianship and recorded good blues over four decades for Columbia, Vocalion, Bluebird, OKeh, Regal, Checker, and JOB. Lizzie Douglas was born on June 3, 1897 in Algiers, Louisiana.   In 1933, when Big Bill Broonzy was very popular in Chicago, a blues contest between him and Memphis Minnie took place in a night club. Minnie was quick to embrace the latest technologies in order to be heard above the crowds She was one of the first blues players to use a National in 1929, and to play an electric wood body National and various electric guitars in the ’40s and ’50s. by Del Rey copyright 1997 Hobemian Records, (a version of this article was originally published in Acoustic Guitar Magazine 1997). Her singing and songwriting, spirited demeanor, and superlative guitar playing propelled her to the upper echelons of a field then dominated by male guitarists and pianists. She recorded her most popular song, “Bumble Bee Blues,” at her first session in 1929 and re-recorded the song repeatedly throughout her career, including a session with The Memphis Jug Band. 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